Posts Tagged ‘Renata Liwska’
Renata Liwska | Philomel 2010
It’s no secret that Renata Liwska is one of my favorite illustrators at the moment. With a follow-up book to The Quiet Book, Renata has come back with another tale with a cast of anthropomorphic characters on a magical journey in Lucy’s red wagon. Red Wagon is page after page of spry little beings—each standing upright on their hind legs dressed for that moment’s particular predicament. While we are accustomed to animals as humans, Renata’s are in a league of their own. It’s how she captures them mid-step or mid-air in their group effort to move their wagon along. However, the real life is in their eyes and precious expressions—fret, surprise, delight, confidence, and general mischief are all present in her delicate graphic marks.
Renata kindly shared a few of her Moleskine sketches and a brief note about her casting process.
“As you can see, bunny became a raccoon. Bear didn’t make the cast, raccoon got the part instead. And some scenes were shot on green screen.”
No doubt her auditions are rigorous and getting tougher.
Written by Deborah Underwood | Illustrated by Renata Liwska | Houghton Mifflin Harcourt 2010
Smartly (and quietly) written and brilliantly illustrated. Renawta Liwska has graced the pages of The Quiet Book with the most adorable and expressive little creatures. Loose but masterful graphite drawings tinted with soft pastel colors—these owls, bears, moose, porcupines, birds, iguanas and rabbits draw us into exact moments in time where quiet is the requirement. Like the lonely moose that sits in silence as the last one to be picked up after school. If a moose could look sad, this is what it would look like. Or, the content mouse and rabbit licking wordlessly on their lollipops.
The design, color and rendering of every one of these pages are considered and restrained—quiet and very loud drawings. Most of the animals are four-legged—but stand on two and portray human expressions and gestures to the tee. They are both sweet and necessarily mischievous. This book is a soft jewel.
In her words:
Renata tells me that the most challenging aspect of making this book was to work tirelessly to the bitter end! Hard to believe, but she says that at times “ I didn’t have any drawings in me. And at the end I was out of gas and it was particularly difficult to finish up the last few illustrations.” The struggle doesn’t show!
How does she draw those adorable animals? “I do and I don’t use reference. I do look at pictures and videos of animals. I look at how they are constructed. What sorts of noses and paws they have or what are their proportions and such. But I try to interpret the reference in my own way and create an impression of the characters.”
Renata credits her interest in drawing animals to watching the stop-motion kid’s TV shows called Coralgol, aka Jeremy the Bear, or Barnaby.
Renata assures us there are more adorable creatures to come.