Posts Tagged ‘cut paper’

Jungle ABC

Michael Roberts | Hyperion Book | 1998

As a fan of cut paper it should be no surprise that I love revisiting The Jungle ABC by Vanity Fair’s style director Michael Roberts. There are lots of alphabet animal books but this is in the top three. At 10 x 13 inches and 64 pages, it’s a treasure not only to find each expression of the letter but also to explore the textural nuances of each page’s scene. Each illustration is a master’s course in composition, scale, light and shadow, and color. Robert’s style takes very simple ideas like the elephant for ‘E” and renders only the trunk eating delicate foliage leaving us to only imagine the remaining beast off the page. Or the textured giraffe’s torso with the strutting native running up it’s back. The life created by his hand-cut images is an inspiration to any illustrating storyteller. This is a magical cut, torn, and pasted tour of the rich tapestry and dance of the African jungle.

Lots of Spots

Lois Ehlert | Beach Lane Books 2010


I just published Lots of Dots this fall, so you can imagine my surprise when I stumbled upon a book called Lots of Spots a few months ago! Before I could get the least bit bothered I saw who did it and immediately tore into the pages. Like mine, it’s a seek and find book about all the places spots appear—in this case—specifically on animals. My immediate reaction was the realization that there was room in the bookstore for both our books and I’d be proud to be near this one.

Lois Ehlert has been cutting out and collaging her illustrated kid’s for around 20 years that I can tell. She has been pretty focused on animals as subjects so it’s no surprise that she is very good at representing all things wild. Lots of Spots features no less than 62 creatures of the wild—all with some degree of spots to their appearance. A few actually have stripes but that’s okay given the sheer volume of spotted beasts she has included. I am very familiar with Lois’ work but this book has some of her looser, even more confident illustrations. All of them have a beautiful sense of design with nods to Leo Lionni, Eric Carle and Henri Matisse, but she has her own sense of style and technique. Though very geometric, they all appear to be cut free of straight edges and perfectly scribed circles. Her smaller dots do appear to be punched out with a whole punch, (who can blame her.) What is so powerful about this book is the striking compositions of each spread—an owl nested under the neck of a goose, or a roadrunner running down the tail of a pheasant, or the cheetah and tiger side-by-side staring the reader down. Each animal captioned with a short rhyming factoid about its existence in the world.

What strikes me most about this discovery book is the incredible palette of colors and textures Lois employs in each illustration. Her cut-paper illustrations sit on the white pages and make you want to touch and feel the grain and weave of each piece of paper—some simple craft or PMS paper—others exotic handmade pulps. Her rendition of every nuance of each animal is heightened with color and elegant graphic form. Her sense of design is informed by a deft examination of what makes each of these animals so unique and wonderful. Lots of Spots is on my shelf—right next to Lots of Dots!

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